Welcome back to Artist’s Corner, the bit of my blog in which I peddle the same material week after week in the hope that no-one really notices. The conceit is quite simple. I draw a picture, my very-nearly-two-year-old daughter adds a touch of colour and then I post it on here and pretend it’s art.
I’d probably have stopped doing this weeks ago but the comments section has continued to amuse me, as a number of people seem to delight in posting ludicrously intellectual reviews of the ‘art’.
Hopefully they’ll do that this week too, or I could end up looking a bit silly.
Anyway, without further ado, allow me to present this weeks oeuvre. It is simply called ‘Mouse’.
Way to go with the lines 😅😳
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Thanks, it takes a special kind of talent to achieve it
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Once more the duo draw that fine between anarchy, as shown by the refusal to stay between arbitrary enclosures of the subject, and jocose whimsicality. This kind of avant garde artistic bravado leaves the typical anthromorphasised mouse, as personified in the historic Disney depictions, looking a miserable mouse, a redundant rodent. One wonders what the artistic world will see when the work further matures. We await with antici… pation.
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I think you might be taking the Mickey…
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Yeah, rats…
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The bold use of aqua is a bold and refreshing symbol of the joy that comes from living in the middle of the ocean on an island while the underlying hostility of the dark orange shows the artiste’s true feelings. The black streak means death. Death to all mice! Nasty little creatures that belong drowned in the ocean. Er, which I am sure is what the artists meant to say…
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Certainly reflective of her mother’s feelings about rodents
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Mine too.
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Speechless. Not a squeak.
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Not like you to feel so rodentant
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I smelled a trap.
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An interesting example of collaborative artwork, combining a naive mouse motif with a highly sophisticated abstract expression of unbridled joie de vivre. Given that two artists contributed to this work we are of course confronted by the question of who contributed what. Looking at the internal evidence of the picture, it seems likely that the mouse was drawn by the younger artist, whilst the more seasoned and experienced collaborator added the moving rendition of utter joy.
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And that is the genius of the piece in many respects
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The artist shows us that color is the primary means for sparking dialogue between artifice and nature. His uncanny ability to embody natural phenomena in apparently chance directions and at the same time present a picture of that embodiment is a radical departure from the norm.
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I felt like you really meant that.
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Every ridiculous word.
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I’m banned. I know my place!
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The evidence is overwhelmingly to the contrary but I am prepared to reconsider the ban if you can put together a compelling case
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I have put together a pencil case. Will that do? You can keep your very important marking pencils in it and, maybe, Miss Proclaims could share it for her colouring pens and pencils. However, when I used the parts of compelling to make my case I find I am left with Glom. What am I to do with that!
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It’s a lomg story
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omg…….l
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Wow! What a terrific collaboration of creativity and complete disregard for the established lines. Beautiful! Well done!
– Melanie
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I’m glad it spoke to you
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This mouse is crying out to be heard and represents the silent millions of mice who are not fairly represented in this country, only your daughter feels their pain.
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There was a certain intensity in the way she set about her ‘work’ on this one…
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OK, the rabbit has gone, but there’s now a fly with spotted wings. Are these subliminal images meant to deflect me from the fact that the colouring is STILL much better than the drawing?
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I don’t think it’s a secret that the colouring is better than the drawing. The subliminal images are just there to mess with you…
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So wrong to kick a man when he’s down… 😉
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